Très Parisien, 1925, No. 1, Pl. 8.- VISITE D'ATELIER. 1925

This print, "Très Parisien", was made in 1925 by G-P. Joumard. It's one plate from a series, which suggests an ongoing, evolving project, much like making art itself. The colours are muted – blues, purples, and creams. Joumard's mark-making is delicate and precise, with strong lines defining the figures and their garments. The textures are implied rather than rendered. I'm drawn to the way Joumard handles the mirror; it's like a painting within a painting, reflecting a ghostly figure draped in fabric. This creates a sense of depth and illusion. The dresses themselves, with their geometric patterns and pleated details, feel both modern and timeless. It reminds me a bit of Erté’s fashion illustrations, though perhaps less theatrical, more grounded. Ultimately, this print is a celebration of art, fashion, and the ever-changing nature of taste. It invites us to see the world with fresh eyes, to appreciate the beauty in the everyday, and to embrace the ambiguity that makes art so compelling.