Priester met stola van kaarten 1724

Jacob Gole created this print of a priest with a stole of cards around 1700, using the intaglio technique of engraving. Here, the lines that define the figure are incised into a copper plate, which would have required a sure hand and careful planning. The varying depth and density of the lines create the illusion of volume and texture, from the priest's wrinkled face to the intricate patterns on his stole. Look closely, and you can see that the stole is decorated with playing card motifs. Engraving was a labor-intensive process, demanding both technical skill and artistic vision. In Gole’s time, printmaking was booming and engravings like this one were essential for disseminating information and images. The social context of this work lies in the intersection of religion and leisure, suggesting a commentary on the role of the clergy in everyday life. By appreciating the skill and labor involved in its creation, we can expand our understanding of the print.