Drie terracotta sculpturen van een zittende vrouw, een knielende vrouw en een acteur before 1857

These three terracotta sculptures of a sitting woman, a kneeling woman, and an actor, showcase the artistic exploration of form through clay. Terracotta, meaning "baked earth" in Italian, is a humble material, yet it has been used for millennia for both functional and artistic purposes. Laverdet likely chose terracotta for its accessibility and its ability to capture fine details. The process involves molding and firing the clay, resulting in earthy tones and a slightly rough texture. The hand of the artist is evident in the subtle variations and imperfections. The sculptures may allude to the world of theatre, hinting at the performative aspects of social life. Laverdet may have been interested in elevating everyday figures into the realm of art, blurring the lines between the ordinary and the theatrical. These sculptures remind us that even the most common materials can be transformed into objects of beauty and contemplation. By appreciating the labor and artistry involved, we can challenge conventional hierarchies and expand our understanding of art.