Three Ball Total Equilibrium Tank (Two Dr J Silver Series, Spalding NBA Tip-Off) by  Jeff Koons

Three Ball Total Equilibrium Tank (Two Dr J Silver Series, Spalding NBA Tip-Off) 1985

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Dimensions: unconfirmed: 1536 x 1238 x 336 mm

Copyright: © Jeff Koons | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Jeff Koons' "Three Ball Total Equilibrium Tank," a work installed at the Tate, presents a formal exercise in suspension and the readymade, wouldn't you agree? Editor: It's eerie, isn't it? Like some bizarre sports science experiment gone zen. Makes you wonder if those balls are meditating. Curator: Indeed. The work plays with notions of aspiration and stasis, the balls suspended in what Koons termed a state of "total equilibrium." The tank and metal stand provide a rigorous geometric frame. Editor: Almost too perfect, right? A pristine display case for these mundane objects. It's like he's elevating the everyday, but also trapping it. Curator: Precisely, inviting us to consider the object’s inherent symbolism within a carefully constructed visual framework. Editor: I'm left with a curious sense of longing. I mean, basketballs are made to be bounced, to be played with. Are they content in their watery stillness? Curator: A poignant observation, leading us to ponder the complex interplay between potential and actuality, desire and fulfillment. Editor: It's more than just a tank of balls, isn't it? Curator: Precisely. A confluence of cultural critique and aesthetic innovation.

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tate's Profile Picture
tate about 1 month ago

http://www.tate.org.uk/art/artworks/koons-three-ball-total-equilibrium-tank-two-dr-j-silver-series-spalding-nba-tip-off-t06991

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tate's Profile Picture
tate about 1 month ago

One of the defining features of the 1980s, when this sculpture was made, was the growth of consumerism. Koons, a former stockbroker, made a series of works presenting consumer items in glass cases. Removed from any practical purpose, they become fetish objects to be gazed at and admired. This work was originally made for an exhibition on the themes of achievement, survival and death. Posters in the exhibition presented basketball as a means of achieving fame and fortune for young working-class Americans. According to Koons, the suspended basketballs suggest death, the ultimate state of being. Gallery label, August 2004