Side table 1769 - 1797

Georges Jacob crafted this side table, currently held at the Metropolitan Museum of Art, with meticulous detail. Note the sculptural grouping of birds, a prominent motif nestled at the base. Birds, across epochs and cultures, have symbolized much: freedom, the soul's flight, divine messengers. Here, in late 18th-century France, they echo classical antiquity, where birds were often associated with deities and omens. The rendering of birds in decorative art can be seen in ancient Roman mosaics, where they symbolized peace and prosperity. Consider how the motif of birds evolved from sacred symbols to elements of courtly elegance, reflecting a shift in cultural values. There is a primal human fascination with birds, perhaps stemming from envy of their aerial freedom, thus the image conveys a sense of aspiration and longing, engaging our collective memory and subconscious desires. The motif of birds resurfaces, evolving and taking on new meanings, a testament to the enduring power of symbols across time.