Table 1785 - 1795

This table was crafted in France by Adam Weisweiler, during the late 18th century, using ebony, marble, oak, and several other materials. It epitomizes the opulence and refinement sought by the French aristocracy before the revolution. Consider the political implications of such lavish displays of wealth. The table's existence speaks volumes about the vast social and economic disparities of the time. The table is not merely a functional object; it's a statement of power, a testament to the owner's elevated status in a society defined by rigid class distinctions. The neoclassical motifs and high-end materials also speak to the cultural aspirations of the elite. To fully grasp the table's significance, one can consult period inventories and guild records. These help reconstruct the complex web of patronage, production, and consumption that shaped the world of decorative arts in pre-revolutionary France. The meaning of art is always contingent on the social and institutional context in which it was made.