Dimensions: support: 325 x 245 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This is a sketch of Bartholomew Beale, facing left. It was painted by his mother, Mary Beale. Editor: He looks so lost in thought, doesn't he? There's a quiet, almost melancholic air about him despite the youthful curls. Curator: Absolutely. Beale’s portraits offered a unique glimpse into 17th-century domesticity, challenging the traditional, often male-dominated art world. Editor: It feels so intimate, so vulnerable. You can almost feel the connection between mother and son as she's capturing him. It makes me wonder what their relationship was like. Curator: I find it fascinating how she balanced her professional career with her familial role. Editor: A truly remarkable glimpse into the life of a young boy and the artistry of his mother. Curator: Indeed, a window into a woman's life, and to the complex social position of artists at the time.
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http://www.tate.org.uk/art/artworks/beale-sketch-of-the-artists-son-bartholomew-beale-facing-left-t13246
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These intimate sketches show Mary Beale’s elder son Bartholomew Beale (1656–1709) at around four years of age. In the 1670s Bartholomew worked as a studio assistant to his mother but by 1680 had abandoned painting to study medicine at Cambridge, later practising as a physician in Coventry. The technique of producing oil sketches on primed paper, rather than sketching in chalk on paper or in paint on canvas, is unusual and characteristic of Mary Beale’s early work. Gallery label, February 2016