Young Boy in Profile by Judith Leyster

Young Boy in Profile c. 1630

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painting, oil-paint

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portrait

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baroque

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dutch-golden-age

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painting

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oil-paint

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figuration

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chiaroscuro

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genre-painting

Dimensions: diameter: 19 cm (7 1/2 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Standing before us is Judith Leyster's "Young Boy in Profile," painted around 1630. Editor: The immediacy strikes me; there’s an appealing candor, as though we've caught this child unawares. The almost circular framing, with its muted browns and rosy cheek, focuses your attention immediately on the subtle turn of his head. Curator: Leyster skillfully employs chiaroscuro, a hallmark of the Baroque period, manipulating light and shadow to model the boy's features and impart a sense of depth. Notice the ruff, precisely rendered, which plays against the soft flesh of the boy's face. Editor: And it's such a youthful face, isn't it? That prominent brow hints at something contemplative. Children in art of this period often symbolize innocence or untapped potential; but his expression is ambiguous enough to prompt further interpretations. The red cheeks suggesting good health, though in my eyes they invoke tenderness. Curator: Leyster was exceptional at infusing genre scenes and portraits with a life force; her compositions consistently explore how the elements function cohesively. Editor: Agreed, though this feels less a formal portrait, perhaps something closer to a character study. Considering the Dutch Golden Age’s emphasis on realism and moral lessons, what readings of childhood would have been culturally available to Leyster when making this oil? Curator: What intrigues me is how she flattens the field of visuality behind the subject. What could read as an austere, minimalist background amplifies the immediacy, inviting scrutiny of brushstroke alone, the pigment acting to construct a tangible presence of being. Editor: Yes, Leyster has indeed produced a unique specimen. She has turned observation of the individual into both a social record and compelling art. Curator: Indeed. A study of the formal structure in combination with this individual symbolism allows us a further look into art practices of the time. Editor: This portrait lingers in the memory, and its candor is something worth cherishing.

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