Sestertius of Gordian III c. 3th century

Curator: At the Harvard Art Museums, we have a sestertius of Gordian III. The artistry is rather striking, even on such a small object! Editor: It's aged, certainly. I notice the distinct green patina, the sign of bronze reacting with its environment. How does this coin tie into larger themes of power, do you think? Curator: Coins like this functioned as propaganda. Here, Gordian's portrait embodies youth and vigor, while the reverse image—likely Spes, the goddess of Hope—symbolizes the emperor's promise to the Roman people. Editor: I agree that the imagery is carefully constructed. In the context of the Roman Empire, where visual symbols held immense socio-political weight, even small objects had a public role in shaping perceptions and promoting political stability. Curator: Indeed. The coin's imagery also draws on cultural memory, linking Gordian to the long line of Roman emperors and their aspirations. Editor: It’s fascinating how such a small piece of metal was laden with such great expectations. Curator: A lasting impression, I would say.