Dimensions: height 187 mm, width 126 mm, thickness 6 mm
Copyright: Rijks Museum: Open Domain
René Colson’s “La photographie sans objectif” was published in Paris in 1891, exploring lensless photography. This publication appeared at a key moment when photography was rapidly evolving from a niche practice to a more accessible technology. The book’s title, prominently displayed, speaks to the democratization of photography, challenging the conventional need for complex lenses. In the late 19th century, institutions like the Société Française de Photographie helped standardize photographic practices, often favoring technically complex methods. Colson's work can be seen as a counterpoint, questioning the necessity of expensive equipment. This approach resonates with broader social movements emphasizing accessibility and challenging established norms. The choice of Paris as the place of publication is also significant, reflecting the city’s status as a cultural and intellectual hub. To fully understand the significance of this work, we can delve into photographic journals of the period and records of scientific societies, exploring the debates around technique and accessibility in the photographic arts.
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