Christ on the Cross between the Virgin and Saint John Possibly 1517
print, engraving
medieval
narrative-art
figuration
history-painting
engraving
Dimensions: block: 24.3 x 17 cm (9 9/16 x 6 11/16 in.) sheet: 26.9 x 19.8 cm (10 9/16 x 7 13/16 in.)
Copyright: National Gallery of Art: CC0 1.0
Curator: Standing before us is a powerful engraving titled *Christ on the Cross between the Virgin and Saint John,* tentatively dated to 1517 by the artist Gabriel Zehender. Look at the figures, their somber posture… Editor: Yes, a somberness rendered almost aggressively by the intense black lines. The artist seems intent on squeezing as much detail as possible from this print. The sheer effort of creation is…palpable, really. Curator: It’s almost as if you can feel Zehender's hand pressing down on the engraving tool, isn't it? The cross dominates, then our eye moves to Mary and John on either side. They anchor the scene, each in their own contained grief. Editor: Grief certainly, but notice how the drapery of their robes is given almost as much attention as their expressions? There's a focus here on the making of the image, on the translation of faith into labor. What were the economic and social conditions that drove the production and consumption of such devotional images? Curator: An intriguing thought, almost like they are clothed not just in grief, but in the very fabric of their society. Speaking of details, notice the skull at the foot of the cross, the faint depiction of Jerusalem in the background… Editor: Details serving to monumentalize an individual act of faith. You can see Zehender's craft wrestling with ideas surrounding religion, commerce, and even cultural identity. It certainly suggests something about who consumed these prints and where. Curator: Absolutely, and what an intense, intimate way to bring this grand narrative directly into their lives. Editor: It is like bringing a powerful piece of history straight to their homes, transformed through both craft and cultural expression, into a commodity of faith. It encourages us to delve deeper not just into religious iconology, but into the very systems that made its creation and dissemination possible. Curator: Yes, it truly encourages us to ask, "What's the story behind the story?"
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