An Allegory of the Bible. Verso: The Shins of an Écorché Male Figure c. 1780 - 1785

Editor: This is William Blake's "An Allegory of the Bible," a watercolor in the Tate collection. It evokes a sense of ascending, perhaps towards enlightenment. What do you see in its structure, its composition? Curator: The composition is divided into distinct registers, a vertical arrangement emphasizing hierarchical relationships. Note the checkered floor, its sharp geometry contrasting with the flowing robes. Observe how lines converge, guiding the eye towards the central book form. Editor: So the book is the focal point, not the figures? Curator: The figures function as visual vectors, their gestures and positions directing our gaze. The book, rendered almost immaterial, suggests a transcendental object. What do you make of the muted palette, the delicate washes? Editor: I see a contrast between the earthly plane and the spiritual one, delineated by color and form. Thank you, that was enlightening. Curator: Indeed. The interplay of form and void reveals the essence of Blake's vision.