Eerste tentoonstelling van Friese kunst en nijverheid, door baron van Sytzama, staatsraad gouverneur van Friesland verordend 1844
print, metal, sculpture, engraving
medal
neoclacissism
metal
sculpture
sculpture
engraving
Dimensions: diameter 4.9 cm, weight 41.20 gr
Copyright: Rijks Museum: Open Domain
Curator: Here we have an engraved medal, a print made of metal, commemorating the "Eerste tentoonstelling van Friese kunst en nijverheid," or the First Exhibition of Frisian Art and Industry, authorized by Baron van Sytzama in 1844. Editor: Well, immediately, the dueling sides intrigue me. On one side, the regal crest with those lions and, flip it over, and we get a dense circle of pronouncements nestled in peaceful olive branches. It's a serious object with hidden artistic intentions, wouldn’t you say? Curator: It is striking. The piece leans heavily into the established visual vocabulary of neoclassicism, evoking ideas of progress, and authority through its symbolism. You have the heraldic imagery signifying power on one face… Editor: And don’t forget a hint of Dutch pride! Lions, crowns, and serious pronouncements all bound up in civic celebration! Do you feel it hints at the awkward marriage between art, industry, and officialdom? Curator: It does reflect those tensions. Medals, traditionally, are awarded to military or civic achievements. It is interesting how art and industry are bound by those honors, as being intertwined with military accomplishments. Editor: It's a tangible piece of social record! And it brings me back to considering what these objects truly represent; something created to commemorate something of value – here, regional identity meeting art, craftsmanship and... approval? Curator: Yes. A very intentional visual encoding for sure, reflective of Friesland in that specific time period. This medal creates and reiterates very specific messages about this particular time. Editor: Absolutely! This little piece of shiny metal opens into much broader insights and asks fascinating questions. I have so many new thoughts spinning in my mind. Curator: Indeed! And that kind of visual inquiry helps us better appreciate not just the object itself, but also the historical narratives.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.