Vijfentwintigjarig huwelijk van Hugo, baron van Zuijlen van Nijevelt en jonkvrouwe Cornelia Adriana Boreel by Johannes Petrus Schouberg

Vijfentwintigjarig huwelijk van Hugo, baron van Zuijlen van Nijevelt en jonkvrouwe Cornelia Adriana Boreel 1848

0:00
0:00

print, metal, relief, sculpture

# 

portrait

# 

medal

# 

neoclacissism

# 

print

# 

metal

# 

sculpture

# 

relief

# 

sculptural image

# 

sculpture

# 

ceramic

# 

decorative-art

Dimensions: diameter 4.5 cm, weight 33.80 gr

Copyright: Rijks Museum: Open Domain

Curator: This medal, crafted in 1848, commemorates the twenty-fifth wedding anniversary of Hugo, Baron van Zuijlen van Nijevelt, and Jonkvrouwe Cornelia Adriana Boreel. It's a fascinating object of Neoclassical style. Editor: Huh, it’s kind of a flat celebration, isn't it? You'd think for a 25th anniversary they’d splurge for a little more depth than a coin. Looks heavy, though—both physically and metaphorically, judging from the solemn crests. Curator: Commemorative medals like these weren't simply decorative objects; they served as public declarations of status and lineage. The inscriptions and heraldry would have communicated specific details about the couple's standing to those who could read the symbolism. Editor: It's a pretty cold gesture of love though, if you ask me. I mean, where's the romance? Is this like a Victorian equivalent of a company-branded anniversary mug? "Congratulations on tolerating each other for a quarter of a century! Here’s a metal disc to prove it." Curator: Consider the historical context, though. This was a time of strict social protocols. A public display of affection through something durable and official like this medal would reinforce their position within the Dutch aristocracy. It’s not just about private sentiment, it's about public image and legacy. Editor: I guess. And there’s a certain austerity about it too, this unflinching dedication to what’s…forever. It’s very un-today. Now, we'd just fire off a quickly deleted, filtered photo on Instagram. In a hundred years will anybody look at that, I wonder? Curator: The medal provides a tangible link to that past, raising essential questions about the relationships between class, social identity and artistic patronage in 19th-century Netherlands. Its creation undoubtedly involved workshops dependent on wealthy individuals. Editor: Looking at both sides like this I get an oddly detached vibe, but in the best way! Almost feels like an artifact from an alternate reality or an ancient civilization we're only just uncovering... like a secret, stony handshake across the ages. I feel privileged to witness this strange echo of a once significant event.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.