Crucifixion c. 16th century

Editor: This woodcut, "Crucifixion," is by an anonymous artist. The stark black and white imagery is so striking. How do you interpret this work, particularly given the artist's anonymity and the medium used? Curator: The choice of woodcut is crucial. Its accessibility meant wider distribution of religious imagery and ideas. Consider the labor involved: carving the block, the printing process itself. These are tangible acts of production shaping the spiritual message. Editor: So, the medium itself democratizes the message? Curator: Precisely. The reproducible nature of the print contrasts with, say, a unique painted altarpiece, impacting the audience and devotional experience. What are your thoughts on that difference? Editor: I never considered that the material makes it almost like propaganda. That changes everything.