Resurrection c. 16th century

Editor: Here we have an anonymous woodcut titled "Resurrection," currently residing at the Harvard Art Museums. The stark black and white creates a really dramatic scene. What do you see in this piece from a historical perspective? Curator: This woodcut, depicting the Resurrection, speaks volumes about the socio-political context of its time. The anonymity suggests it was likely produced for mass consumption, catering to popular religious sentiment. Notice the aggressive posture of the soldiers, a clear demonstration of power, a narrative of oppression and eventual triumph. Editor: So, the artist's anonymity and the medium itself point to a wider distribution and engagement with the public? Curator: Precisely. It bypasses the elite patronage system, engaging directly with the beliefs and anxieties of the common person. Editor: That's fascinating! I never thought about it that way. Curator: It's crucial to consider art as a reflection of the social and political forces shaping its creation and reception. Editor: I’ll keep that in mind. Thanks!