Gusman d'Alfarache op podium voor landschap 1655 - 1697

Jan de Bray made this print, Gusman d'Alfarache op podium voor landschap, using the intaglio process, sometime in the 17th century. Intaglio, from the Italian word for "engrave," involves cutting lines into a metal plate, inking the plate, and then using a high-pressure press to transfer the ink to paper. Look closely, and you can see the crisp lines that define the figure and the landscape behind him. These lines aren't just marks; they're the result of labor, skill, and a deep understanding of materials. The process reflects a culture that valued precision and craft. Each line required deliberate action and control, mirroring the social hierarchies that are depicted in the artwork itself. The work involved reflects broader issues of labour, politics, and consumption, all interwoven into the fabric of the artwork. By appreciating the intricate labor involved and the social context of its production, we gain a richer understanding of the artwork's place within the broader history of creative practices.