Soldaat met een musket die een kruitmaat met zijn mond opent, ca. 1645 by Petrus Rucholle

Soldaat met een musket die een kruitmaat met zijn mond opent, ca. 1645 1645 - 1647

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drawing, pen, engraving

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drawing

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weapon

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baroque

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pen illustration

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figuration

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pen-ink sketch

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sketchbook drawing

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pen

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history-painting

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engraving

Dimensions: height 235 mm, width 165 mm

Copyright: Rijks Museum: Open Domain

Curator: Petrus Rucholle's engraving, dating from around 1645 to 1647, presents us with a "Soldaat met een musket die een kruitmaat met zijn mond opent"—a soldier with a musket, opening a powder measure with his mouth. Editor: My initial impression is of controlled tension. Despite the seemingly mundane task, there's an underlying feeling of alertness and readiness. His focused expression, contrasted with the loose swagger of his stance, makes me think about performance. Curator: Performance in relation to material action, I agree. Observe the textures—the delicate plumes of his hat rendered meticulously by the engraver's burin, juxtaposed against the smooth metal of the musket and the rough-hewn ground beneath his feet. The value in the mark making of the burin communicates surface properties. Editor: The powder measure itself carries immense symbolic weight. It signifies the potency, the immediate possibility of action and the taking of life—which seems heightened when taken by mouth, no? In this moment of preparation, is he a harbinger of violence, or merely a technician of war? Curator: Both, potentially. The image also highlights the complex logistics of warfare. Note all that the job entailed. The very act of loading that weapon by hand with powder prepared with the mouth connects the body intimately with the tools of destruction. The production of violence literally touched everything and everyone, the ground and the mouth, making no distinctions. Editor: And the elegance of his attire. It clashes so violently with the brutish purpose of the musket. The hat and the ruffles... How did all of the signifiers of class end up entwined with instruments of death? Curator: Power structures being upheld through labor processes—through who owns the land, the gun, and even controls the pose within the picture itself. Editor: It is an evocative image indeed; the way he is literally "biting the bullet" is such a vivid foreshadowing. I now wonder who made those ruffles; were they local materials or coming in on Dutch trade ships? So many layers revealed by looking closely. Curator: Absolutely, each stroke, each texture, adds a layer of meaning that resonates through the centuries—highlighting labor and conflict, material reality as symbols in history, making for rich and continuous exploration.

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