In the Middle of the Water 1971

Ding Yanyong made "In the Middle of the Water" with oil on board, and it feels like an improvisation, like a quick thought captured in paint. I love how the brushstrokes are so direct, almost childlike in their simplicity. The green is so lush and covers most of the surface, giving the impression of depth. You can really see the texture of the paint, thick in some areas, thin in others, especially where the artist uses thin, quick strokes to indicate the masts of the swings. It’s like he's not trying to hide anything; every stroke is visible, every decision laid bare. The two swings themselves are captured in thick white paint and are suspended in this ambiguous green space. This piece reminds me a little bit of Milton Avery – they both have this way of simplifying forms and using color to create a mood. Ultimately, art isn't about answers but about opening up possibilities, and this painting does just that.