Close of Day c. 1911 - 1955

Editor: This is Sears Gallagher's etching, "Close of Day," likely made sometime between 1911 and 1955. The scene of a fisherman returning with his catch definitely sets a quiet, contemplative mood. What do you see in this piece? Curator: Funny, isn't it, how a simple scene can evoke so much? Gallagher captures not just a visual moment but also the feeling of weary satisfaction. The way he uses etching to render the textures – the rough wood of the boat, the shimmering water, the delicate net – is just gorgeous, isn't it? It makes you feel like you're right there, breathing in the salty air. Ever feel that? Editor: Absolutely! The textures give it a very tactile feel. I’m wondering, do you think there’s any commentary here, anything about man's relationship with nature, perhaps? Curator: Perhaps subconsciously, yes! These scenes used to be the everyday view for lots of people along the coastline – and there's certainly something poignant in seeing this now, like a nostalgic look back at a life more intertwined with nature’s rhythms. Notice how the fisherman almost blends into the boat and water. Feels less like conquest, and more like participation. Editor: That's a really interesting perspective; I hadn't considered the aspect of "participation." It reframes my whole understanding. Curator: Doesn’t it change things when you see something from a slightly tilted angle? I find I love artwork when you don’t "get it" right away. What about you? What sticks with you the most? Editor: The skill involved in rendering such detail through etching is what stays with me; it emphasizes the artist's dedication and patience, mirroring the fisherman's own laborious day. Thank you for providing a deeper look into this print!