drawing, print, etching, woodcut, engraving
tree
drawing
etching
human-figures
old engraving style
landscape
river
romanticism
woodcut
engraving
Dimensions: Image: 5 11/16 in. × 7 in. (14.4 × 17.8 cm) Plate: 7 × 8 3/8 in. (17.8 × 21.3 cm) Sheet: 10 3/16 × 12 1/4 in. (25.9 × 31.1 cm)
Copyright: Public Domain
This print, "A Lock on the Stour," was made by David Lucas in the 19th century, using a process called mezzotint. It’s a labor-intensive technique, requiring the plate to be roughened evenly with a tool called a rocker, then smoothed in areas to create an image from light to dark. Notice the velvety blacks and subtle gradations of tone. These are characteristic of mezzotint. Lucas was a master of this demanding process, which was often used to reproduce paintings. In this case, the image translates a bucolic scene of the English countryside. Consider the sheer work involved in this printmaking method, a contrast to our present era of digital reproduction. Lucas’s artistry draws our attention to the value of careful craft, and to the social context of image-making in an age before photography dominated. It reminds us that every image has a material history, connecting the artist, his tools, and the world he represented.
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