Bamboo River (Takekawa), Illustration to Chapter 44 of the Tale of Genji (Genji monogatari) c. 1509 - 1510

Editor: Here we have Tosa Mitsunobu's illustration, "Bamboo River," from the Tale of Genji. The composition is quite striking, and it seems as though we're peering into a private space. What stands out to you? Curator: I'm drawn to the materiality and the means of its production. Consider the pigments, likely derived from minerals and plants, painstakingly applied to silk or paper. How does the inherent value of these materials intersect with the narrative being depicted? Editor: That's a good point. So, you're saying the physical properties of the painting contribute to its meaning? Curator: Precisely. The labor involved in creating these pigments and applying them would dictate who could afford to produce and consume such art. The narrative, in turn, is inextricably linked to this material reality. Are we looking at luxury or commodity? Editor: I hadn't considered it that way before. It adds a whole new layer to the story. Curator: Indeed. The materiality is not merely a vehicle for the image; it is integral to its social and economic context.