Dimensions: 11 3/4 x 44 x 2 in. (29.85 x 111.76 x 5.08 cm)
Copyright: Public Domain
This door lintel, carved by an anonymous artist, possibly in India, presents the marriage procession of Shiva and Parvati. The dense, monochromatic relief carving commands attention through its complex organization of forms. Horizontally, the procession unfolds in a frieze-like manner. Vertically, the composition is layered, with celestial beings looking down from above. The rhythmic repetition of figures and animals creates a dynamic visual effect, guiding the eye across the panel. This repetition isn’t just decorative; it emphasizes the communal and cosmic significance of the event. The artist uses depth to suggest space, but flattens the perspective, drawing focus to the intricate patterns and symbolic gestures. This flattening can be read as a conscious effort to transcend the material limitations of the medium. This carving functions not only as a narrative depiction but also as an embodiment of the underlying order and interconnectedness of the universe.
For the merchants and financiers of the Chettinad region, where a maritime expansion of British trade across Southeast Asia and China would bolster their livelihoods, the main residential door was auspicious. Considered a threshold into a sanctified domestic space, the door and its placement had cosmological significance, often determined by numerical calculations based on the homeowner’s birth star. This lintel, designed to appear above the door, is a carpentry tour de force. Commissioned as part of an elaborate gateway that signaled the owner’s wealth, it depicts the marriage of two Hindu gods: Shiva and Parvati. They are in three niches, surrounded by a host of gods and celestial merrymakers. On the far right, Kama, god of love and matchmaker of the heavens, has successfully shot his bow. Signaling happily wedded life, the doorway celebrates wealth and love, which, along with moral duty and spiritual awakening, are the four goals of Hindu life.
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