Technische tekening van dijkbekisting, 1809 by Anonymous

Technische tekening van dijkbekisting, 1809 1809

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drawing, paper, ink

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drawing

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aged paper

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homemade paper

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pale palette

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ink paper printed

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light coloured

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sketch book

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hand drawn type

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paper

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personal sketchbook

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ink

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geometric

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sketchbook drawing

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sketchbook art

Dimensions: height 280 mm, width 255 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a technical drawing titled "Technische tekening van dijkbekisting, 1809," created in 1809 by an anonymous artist. It's an ink drawing on paper. Looking at this image, it seems to present an infrastructure plan; almost a rationalist study of social organization… How do you interpret this work? Curator: Well, what strikes me immediately is its relation to power. Think about the Netherlands in 1809. Who was in charge? The artwork is depicting a Dutch levee. Its title in English translates to "Technical Drawing of Dam Shuttering". So, it begs the question of how infrastructure development intersects with historical power dynamics, not only pertaining to political administration, but also with environmental stewardship. What social classes did this design benefit the most, and how might it have impacted marginalized communities? Editor: So you're saying it’s less about the nuts and bolts, and more about social stratification and resource management? Curator: Precisely! Dams provide necessary defense against water, but who profits from these designs and engineering plans? Who funds them? Does this levee alter natural waterways? What is the social contract between citizens, the builders, and the land they occupy? By engaging with these types of inquiries, this seemingly dry, technical drawing begins to speak volumes about societal priorities, resource distribution, and environmental consequences in that specific period. Editor: It’s fascinating how a simple drawing can unpack such complex themes. I'm seeing it in a whole new light! Curator: Exactly! Every artwork, even technical drawings, functions as a reflection of its era, and challenges us to critically examine how power and social issues intersect with art.

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