Armchair 1745 - 1755

This "Armchair" was made by Claude I Sené, sometime in the 18th century and now resides at the Metropolitan Museum of Art. At first glance, the chair presents a delicate balance between structure and ornamentation. Its defining features lie in the intricate latticework of the seat and back, which creates a visual texture that is both airy and geometric. The framework itself, carved with floral motifs, adds a layer of organic complexity to the design. The chair’s structure embodies a play between the constraints of functionality and the freedom of artistic expression. Note the curves of the legs and armrests. They suggest a departure from rigid forms, an embrace of fluidity and movement. This juxtaposition can be seen as a representation of the philosophical tensions prevalent during the Enlightenment period. Through its composition, the armchair invites us to consider the dialogue between form and function, structure and expression, and how furniture can embody broader cultural and intellectual movements. This is not just a functional object, but a statement piece.