Bentwood Side Chair 1870 - 1878

Henry I. Seymour crafted this bentwood side chair, now at the Metropolitan Museum, using the innovative technique of bending wood to create its form. The chair's back is adorned with two stylized heart shapes. The heart, a universal symbol for love and affection, has roots stretching back to ancient times, yet its modern form is only found from the Middle Ages onward. We see its echo in myriad forms across cultures, from Valentine's Day cards to religious iconography. Originally associated with the physical heart, the symbol evolved to represent emotions, a transformation reflecting our understanding of human psychology. Consider how this simple motif engages us. It evokes feelings of warmth and connection, perhaps tapping into a collective memory of comfort and security. The chair, designed for rest and support, thus becomes more than furniture; it’s an embodiment of emotional well-being. The heart's journey underscores how symbols are constantly reinterpreted, their meanings shaped by cultural and personal experiences, ever-evolving.