Water Pitcher 1885 - 1888

This Water Pitcher at the Met, made of flint glass by Richards and Hartley, compels us with its striking texture and symmetry. The overall form is defined by rows of raised, spherical protrusions, creating a tactile, almost organic surface that plays intriguingly with light. Structurally, the pitcher balances utility with artistic expression. The handle and spout, while functional, integrate seamlessly into the piece’s aesthetic, enhancing its visual rhythm. This focus on the interplay between form and function reminds us of the Bauhaus movement's emphasis on unity and efficiency in design. The clear glass challenges our perception by distorting light and offering glimpses through the vessel. This creates a dynamic interplay between the visible and the obscured, inviting the viewer to consider the object's interiority. This exploration of transparency and form reflects broader concerns within modern art about perception and representation.