Kvinde med lampen by Frans Schwartz

Kvinde med lampen 1898

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drawing, print, etching, ink

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portrait

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pencil drawn

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drawing

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print

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etching

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charcoal drawing

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figuration

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ink

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pencil drawing

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portrait drawing

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realism

Dimensions: 231 mm (height) x 181 mm (width) (plademaal)

Curator: Just look at the expression on her face! She looks so burdened and contemplative. Editor: That’s “Woman with the Lamp,” a drawing created around 1898 by the Danish artist Frans Schwartz. It’s currently held here at the SMK, Statens Museum for Kunst. Made with ink and etching, there's a lovely layered texture. Curator: I feel it too. It has a melancholic yet somehow determined mood, doesn't it? She’s holding this lamp, which provides a fragile bit of light. What do you see there? Editor: The motif of light in darkness certainly ties into broader symbolist ideas, doesn't it? We can see a popular symbol of enlightenment fighting a battle against looming shadows. Considering the societal shifts at the end of the 19th century and new conceptions about how art should reflect our realities and even project into new futures, Schwartz perhaps intended this woman to symbolize this moment in time. Curator: Hmmm, that’s definitely possible! And who is this woman? Her pose—hands at her head, covering her hair—feels vulnerable but, as I noted before, has that glimmer of resolution, a willingness to face some hidden part of herself. It makes me wonder about what kinds of private anxieties she, or maybe Schwartz himself, wrestled with. Editor: Right, exactly. Because printmaking held a specific social status as something of an "everyman" medium—more democratic because it was more reproducible—this gives even more power to the notion of this piece exploring anxieties felt in this changing, transitional era. This almost directly evokes similar images that portray spiritual doubt. Curator: So, are we implying that “Woman with Lamp” is not only Schwartz’s attempt to illuminate the sitter’s mental landscape but also the larger public's struggle with shifting identities at this time? Editor: Perhaps so, although this print doesn't provide a definite message or stance on its own. Its impact arises in viewers like you who engage with it and in museum settings like ours. Curator: Absolutely. It really stays with you, doesn't it? Thank you for these wonderful reflections. Editor: And thank you for your inspiring musings, they helped me see it in new light as well.

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