Saint Charles Borromeo 1779

Curator: This is "Saint Charles Borromeo," a drawing housed here at the Harvard Art Museums. Editor: The delicate lines and muted tones give it a rather somber feel, wouldn't you say? The oval format further focuses the gaze. Curator: It is a fascinating object. The artist, Pierre-Simon Laplace, captures the saint in profile. Note how light and shadow define the textures of his garments and face. Editor: Given the historical context, portraits like these often served as instruments of power, but here, it seems softened, almost introspective. I wonder what role the church played in its commission? Curator: Perhaps the artist's primary focus was not the church, but rather the pure geometry, the play of light and shadow across form, to evoke a sense of quiet dignity. Editor: Perhaps, but these portraits always carry the weight of their time. It's hard to separate the artistic choices from the social and political implications. Curator: A fitting reminder to observe with both eyes and an open mind. Editor: Indeed, and to always consider the stories beyond the frame.