Portret van de Italiaanse kardinaal Robertus Bellarminus 1644

This print of Robert Bellarmine was made by Frans van den Wijngaerde, likely in the mid-17th century. It’s an engraving, meaning the image was incised into a metal plate, inked, and then printed onto paper. Consider how this reproductive technique affects the image. The stark black lines define Bellarmine's features and clothing, creating a sense of volume and texture. Look at the fine details, achieved by the artist through a labour-intensive process, each line carefully cut into the metal. This wasn't just about replicating an image; it was about crafting a likeness through skilled handwork. The print medium itself speaks to the social context of the time. Engravings like this allowed for the mass dissemination of images, playing a crucial role in shaping public perception and spreading ideas. They were a form of visual communication, circulating portraits of important figures like Bellarmine across Europe. Appreciating this print involves understanding the material, the making process, and the broader culture of image production in the 17th century.