The Empress c. 16th century

Curator: Hans Holbein the Younger, who died in 1543, created this work, "The Empress," which now resides at the Harvard Art Museums. Editor: The high contrast really jumps out. It’s stark, a bit grim. The figure of Death with its bony embrace is such a strong element compositionally. Curator: The image is part of a larger series known as "The Dance of Death." These prints were incredibly popular, offering a commentary on social hierarchy and the universality of mortality. Editor: The lines are so precise, aren't they? Look at the detail in the Empress’s gown versus the stark simplicity of Death's form. It really highlights the temporal nature of earthly power. Curator: Absolutely. Holbein’s "Dance of Death" subverts the expected order. Even the highest echelons of society, like the Empress, are not exempt from death’s dominion. It reminds the public of a divinely ordained structure. Editor: It is fascinating to see how the artist uses the contrast to create such a memorable work. The overall effect is that of an abrupt wake-up call. Curator: Indeed, a potent reminder that societal constructs ultimately fall before the great leveller. Editor: A powerful piece, structurally sound and emotionally resonant.