Paardenbeen by George Hendrik Breitner

Paardenbeen 1881 - 1883

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drawing, paper, pencil

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drawing

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animal

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landscape

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paper

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pencil

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horse

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realism

Copyright: Rijks Museum: Open Domain

Curator: Before us, we see "Paardenbeen," a drawing by George Hendrik Breitner, created between 1881 and 1883. It's currently held in the collection of the Rijksmuseum. The work on paper uses primarily pencil to bring to life the form of, as the title states, a horse’s leg. Editor: The raw quality of the sketch, that rapid succession of graphite lines—there's a strange, immediate honesty. It feels unresolved but that’s its power, like catching a fleeting movement. The tonal variations are intriguing as well, despite the restricted medium. Curator: Breitner was deeply embedded in the social fabric of late 19th-century Amsterdam. The depiction of working horses reflects the vital role they played in the city's economy and daily life. This drawing provides a glimpse into the world that Breitner tirelessly documented – a world rapidly changing due to industrialization. Editor: Indeed. And observe how he focuses solely on a section, dissecting the whole into fragmented, isolated studies. This strategy abstracts the object. Look at how those dense marks describing muscle mass at the top morph into these fleeting indications as we drop lower in the composition. Curator: Breitner, of course, aligns himself with a radical art scene in Amsterdam and later moves beyond just registering social history. There is some affinity with the Impressionists here and those who sought an empirical approach. The drawing, however, lacks the social charge we often see. Here, the subject almost fades in relevance behind technique. Editor: Yet, there’s rhythm. Follow the outlines of the bone as the leg moves. These aren't precise delineations, and rather evocative estimations, and because of this looser language of forms, he hints toward the unseen pressures and weight implied here as well. The pressure pushing against the paper is transferred, you might say. Curator: Interesting! A detail in plain sight becomes newly visible through your way of interpreting the drawing! Editor: Yes, looking more precisely gives space for discovery. The way a detail opens up to an impression.

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