Suerte I: Bull entering the bullring after a law officer on horseback; two toreros standing to right by Anonymous

Suerte I: Bull entering the bullring after a law officer on horseback; two toreros standing to right 1845 - 1855

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drawing, print, etching, ink, pen, engraving

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drawing

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narrative-art

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pen drawing

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print

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pen illustration

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pen sketch

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etching

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landscape

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figuration

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ink

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pen-ink sketch

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horse

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men

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line

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pen work

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pen

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genre-painting

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academic-art

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engraving

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realism

Dimensions: Sheet: 8 11/16 × 12 5/8 in. (22 × 32 cm)

Copyright: Public Domain

Curator: This image, “Suerte I: Bull entering the bullring after a law officer on horseback; two toreros standing to right," is attributed to an anonymous artist and dates between 1845 and 1855. It is created with pen, ink, and etching. Editor: There’s an unsettling, almost decorative quality to this. The meticulous detail applied to the border of roses contrasts sharply with the brutality suggested by the bullring scene itself. It's quite the juxtaposition. Curator: Precisely. The academic-art style employed, combined with its realist tendencies, results in a flattened plane, calling attention to the graphic quality. Notice the dominance of line and how that constructs spatial depth. Editor: The imagery is so charged with symbolism. We have the bull, a powerful representation of primal energy, entering the arena under the gaze of authority, as symbolized by the law officer. Curator: Indeed, one could suggest a reading in terms of binary oppositions. Order versus chaos. The graphic black markings construct the tensions of this opposition. Observe how they vary. Editor: The standing toreros introduce further layers. They represent both skill and vulnerability. This piece invites reflections on the theatricality of power and the staged drama of dominance. The crowd above literally observe time passing with the presence of the clock. Curator: Considering the formal elements, I suggest the artist’s masterful line-work emphasizes the contained energy within this static composition. Note, also, how that border simultaneously frames the tension and releases it by ornamentation. Editor: Thinking about the historical context, one must recognize this illustration as part of a cultural memory. Bullfighting carries heavy cultural and emotional weight in Spain and beyond, sparking continuous cultural, political, and moral dialogues. Curator: This image pushes us to consider how an artwork can simultaneously possess opposing stylistic and thematic qualities and reflect their historical moment, as it explores tension between order and chaos. Editor: Absolutely. The artwork prompts thinking about how spectacle intersects with power and vulnerability and reminds one how enduring symbols continue to ignite and focus those same cultural passions, as time passes.

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