The Last Judgment c. 1505

Editor: Here we have Jan Provoost’s painting, "The Last Judgment," housed at the Harvard Art Museums. Looking at this piece, I'm struck by the contrast between the serene figures above and the turmoil of those rising from the earth. How do you interpret this work? Curator: Provoost's "Last Judgement" is a fascinating example of the period's obsession with salvation. It reflects the anxieties of the time. Notice how the composition reinforces the social hierarchy. Christ sits in judgement, while below, the masses are literally rising from the earth awaiting their fate. How does that make you think about the function of religious art at the time? Editor: It makes me think about how art was used as a tool for social control, reinforcing religious doctrines and moral codes. Curator: Precisely! These artworks were displayed in public spaces, serving as constant reminders of these issues. Provoost's painting isn't just about religion; it's a reflection of societal power structures. Editor: I see that now. It's more than just a religious scene; it's a statement on societal order. Curator: Exactly. Considering that adds another layer of complexity.