Female Figure with Bowl by Abogunde of Ede

Female Figure with Bowl c. late 19th century

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carving, sculpture, wood

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portrait

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african-art

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carving

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mother

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figuration

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child

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plant

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sculpture

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wood

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yoruba-art

Dimensions: 62.2 × 19 × 31.7 cm (24 1/2 × 7 1/2 × 12 1/2 in.)

Copyright: Public Domain

Curator: Oh, I love the textures! At first glance, the "Female Figure with Bowl" seems like something elemental and profoundly tender. There’s an immediate sense of history, of stories etched into the wood itself. Editor: Indeed. This powerful piece, attributed to the Abogunde of Ede and crafted around the late 19th century, resides here at the Art Institute of Chicago. The use of wood speaks volumes, linking it directly to the Yoruba tradition of carving, where it often signifies deep connections to nature and the spiritual world. We have a sculpture carved to express both maternity and status. Curator: Motherhood leaps out, doesn't it? That gentle curve of her back supporting the child, those hands offering...sustenance, perhaps? But what kind of nourishment? Editor: I interpret the offering in a broader socio-political light. Consider that in Yoruba society, figures such as this were not mere decoration. The bowl itself becomes a vessel of potential – possibly holding symbolic ingredients related to community wellbeing or medicinal resources. Curator: A recipe for life! The figure strikes a perfect balance – she is powerful yet vulnerable. Do you notice the eyes averted as if shy, as if caught off guard, but, like the other elements in the statue, also clearly intentional? The carver has this great combination of confidence and uncertainty as he tells a very profound tale. Editor: The gaze, the material, the adornments – it all points to a carefully constructed identity, one where womanhood, motherhood, and potentially leadership intersect. Curator: Yes! But I get the feeling that those in charge are in charge to benefit those who follow, those who depend. Editor: Absolutely. Works like this encourage a vital conversation. By examining this figure, its creation, and its context, we begin to grapple with questions of power, care, and representation that reverberate into the present. Curator: Exactly, which is why these aren’t just carvings, but rather echoes of life lessons calling to us across generations, "Care! Love! Live!" Editor: Indeed. Art offers us mirrors and windows, and it is through understanding the reflections and gazing through the portals, like this statue, that we truly come to see each other, if not ourselves.

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