Dimensions: overall: 43.1 x 36.1 cm (16 15/16 x 14 3/16 in.) Original IAD Object: 9" wide; 4" high
Copyright: National Gallery of Art: CC0 1.0
Curator: Here we have “Crewel Purse,” dating to about 1939. It appears to be a design for needlework or embroidery, rendered in watercolor and possibly intended for a small purse or bag. Editor: It has such a comforting feel about it. The blue background, that wonderful saturated hue, provides such a rich ground for the reds and greens. And the forms! So stylized, so deliberately flat. Curator: Crewel embroidery experienced revivals during this period, didn't it? Part of a larger Arts and Crafts interest in rediscovering traditional techniques. Items such as these represented the skill and patience inherent in such craft. Editor: Indeed. There's a rhythmic quality in how these floral motifs are arranged. Each blossom has a radiating structure, the foliage interweaving those wonderful swirling vines that provide dynamism. Curator: It reminds us of the growing sentiment towards handcrafted objects rather than mass produced goods that were being made available to more people, changing everyday life in so many ways. A tension emerges in understanding who could spend the necessary hours doing this type of handicraft, versus acquiring things ready-made. Editor: Look how she uses watercolor to mimic the texture of threads. She renders stitches! That speaks to a keen awareness of translating medium and material. You mentioned handicraft; the very imperfections feel important here, celebrating process and tactility. Curator: We see this attention to craft in similar works made in folk-art tradition from the time. Also how it brings hand-made domestic objects into our gallery. Editor: For me, this piece showcases an elegance that transcends the purely functional. Curator: Right. It captures that moment of cultural rediscovery, intertwined with personal expression. It serves as an artifact documenting handicraft as a visual message with many possible meanings in an era of immense social changes. Editor: Agreed. There’s real joy here in playing with line, color, and composition in textile inspired form.
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