Au pres de St. May 

Sheigla Hartman created this untitled print in 1992, offering a dense, textural exploration of a wooded landscape. Hartman came of age during a period of significant social change, including the rise of second-wave feminism and an increased awareness of environmental issues, which profoundly shaped her artistic sensibilities. Here, the natural world is not a passive backdrop, but an active, almost overwhelming presence. The intricate lines and stark contrasts evoke a sense of immersion within the landscape, while simultaneously creating a feeling of alienation from it. The emotional weight of this is significant. The density and the starkness of the trees, combined with the stark black and white contrast, can be read as a commentary on the relationship between humanity and nature. Hartman's work prompts us to consider the complex interplay between the natural world and our own identities. It speaks to a broader dialogue about environmental responsibility.