H. Joris en de draak 1642

Wenceslaus Hollar created this intricate engraving of ‘H. Joris en de draak’ in 1642. Framed by an oval border of foliage, the combat between St. George and the dragon unfolds with remarkable detail. Notice how Hollar’s use of line and texture creates depth, especially in the rendering of the knight's armour. The composition, tightly packed within its circular frame, amplifies the sense of a dramatic encounter. The semiotic structure is clear: St. George, elevated on horseback, dominates the monstrous dragon below. Consider how this image might destabilize fixed notions of heroism through its ornamental style, blurring boundaries between sacred and secular art. It’s a fascinating example of how an artist can engage with themes of power and morality within the confines of formal design. Hollar challenges us to see beyond the narrative, inviting us to decode the rich interplay of symbols, values, and artistry.