Festa della Sensa (veertiende gedeelte) by Jost Amman

Festa della Sensa (veertiende gedeelte) 1679

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drawing, print, ink, engraving

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drawing

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baroque

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print

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pen illustration

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dog

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landscape

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figuration

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ink

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genre-painting

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italian-renaissance

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engraving

Dimensions: height 428 mm, width 342 mm, height 380 mm, width 272 mm

Copyright: Rijks Museum: Open Domain

Curator: This is "Festa della Sensa," the fourteenth section from a print series crafted by Jost Amman in 1679. A baroque spectacle rendered in ink and engraving, wouldn't you say the immediate impression is quite...stark? Editor: Absolutely. The high contrast really emphasizes the societal layers presented here, not just as representation, but literally carved out in a repeatable format for mass consumption. All those lines... think of the labor that went into this matrix. Curator: True, true. My eye drifts to the wedding procession and the adorable fluffy dog lounging nearby – oblivious! What feelings does it evoke in you, apart from labor pains? Editor: Well, Amman emphasizes the physical constraints within social hierarchies. Look at how the engraver delineates between classes through their very placement and adornment on the page – each line and cut highlighting their distinct material conditions. It's almost architectural. Curator: Indeed. It is a fascinating observation of Venetian life, a dance of high and low. These engravings could almost serve as manuals on how to behave...or how not to! Do you find Amman judgmental? Editor: Not so much judgmental as descriptive. He details the material culture without much embellishment – almost coldly assessing worth and roles through how they inhabit space, wear clothing, or even traverse water in decorated gondolas. Consumption becomes theatre. Curator: Yet I find a warmth. The people seem real, flawed, human – even amidst the strict social constraints that you pointed out. There's almost a joyful chaos! Editor: Perhaps a sanctioned chaos; each character's 'joy' pre-determined, contained within societal expectation, and recorded with a reproducible process! Curator: Oh, materialist, your perspective chills me even as it informs! What began as chaotic glee seems to become ordered obedience. Thank you for these reflections. Editor: And thank you. It's enlightening to consider art through different lenses, each revealing facets of history and meaning in ways we hadn't anticipated. A cut into the depths, if you will.

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