[Group of 17 Early Stereograph Views of British Churches] by Sedgfield's English Scenery

[Group of 17 Early Stereograph Views of British Churches] 1850 - 1919

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photography, gelatin-silver-print, architecture

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landscape

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photography

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gelatin-silver-print

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architecture

Dimensions: Mounts approximately: 8.5 x 16.9 cm (3 3/8 x 6 5/8 in.) to 8.7 x 17.7 cm (3 7/16 x 6 15/16 in.)

Copyright: Public Domain

This is a set of 17 stereograph views of British churches, part of 'Sedgfield's English Scenery' series. In the Victorian era, stereographs like these offered viewers an accessible form of virtual tourism. These images of British churches reflect the complex interplay between religion, national identity, and social class in 19th-century England. The imposing architecture of these churches symbolizes the power and authority of the Church of England, deeply entwined with the British state and social hierarchy. Consider how the architecture reinforces notions of national pride and moral authority. The presence of figures in some views hints at the social stratification of Victorian society, where access to religious spaces and the representation of British identity were shaped by class distinctions. Stereographs catered to a predominantly middle-class audience, reinforcing their values and worldview. These images invite us to reflect on how constructions of identity are shaped by dominant narratives and power structures.

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