Untitled 2004

This untitled painting by Harriet Korman is a symphony of color and form, a puzzle where circles and curves meet in surprising ways. It's like watching shapes dance, shifting and emerging through trial, error, and intuition. I really sympathize with Korman here, imagining her process. What was she thinking as she navigated this interplay of hues? The paint isn't too thick, allowing the colors to breathe and vibrate against each other. I'm drawn to the way the yellow arcs push against the reds and blues, creating a sense of movement and tension. It’s not just about the geometry, but the feeling it evokes, a kind of visual music. Her work reminds me that artists are always in conversation with one another, riffing on ideas, and pushing boundaries. Painting, in its essence, is an ongoing exchange of ideas across time, inspiring creativity in new and unexpected ways. There’s no one way to read this painting, and that’s the beauty of it. It embraces ambiguity and uncertainty.