Untitled 

Curator: Let's take a closer look at this captivating, yet "Untitled" piece. The artist is Jean-Paul Jerome, who works primarily in acrylic paint. There isn't any production date listed, and you see elements reminiscent of op art. Editor: It's got this chaotic order, you know? My immediate feeling is one of mild disorientation. Like staring into a kaleidoscope designed by someone with a wicked sense of humor. There’s a push and pull in the geometry. Curator: Absolutely. That push and pull, that tension is key. Consider how geometric shapes and vibrant color planes interact. It’s less about a specific narrative and more about the perception of depth, motion, and visual patterning that seems to disrupt the stable plane of the image. It challenges how we expect images to behave. It’s designed, likely, to be perceived. Editor: Precisely! And these stark contrasts in hue! I mean, a kind of retro, bold choice of color and geometry, isn’t it? There is this play of color that, paradoxically, seems almost destabilizing but with a feeling of joy that speaks volumes. I’m trying to decode an iconographic message when maybe there’s just a…a mood to catch. Curator: And that "mood" could very well tap into larger currents. Look at the art movements from the era – pop and op art share sensibilities of playing with perception to reflect modern technological advancements. In pop and op art, the meaning wasn't hidden beneath a symbolic image. Here, one senses it lives on the surface— in that interplay of lines, and shape. Editor: So, not a hidden narrative so much as a surface story! Yes! But look, I keep being drawn to those black circles. They serve to function as eye traps pulling us further in, or anchoring points within that whirlwind. Do you think that could reflect a social comment somehow? Curator: I can understand your view. Perhaps it mirrors anxieties or tensions underlying apparent stability that are being examined with bold colors and geometrical patterns that question perception and push emotional boundaries in social expression. A reflection of life lived in flux. Editor: Yes! A visual chord. So well, I am certainly catching the mood! A great piece. Curator: Indeed. Thank you for catching this piece with me.