Veue de Berny a deux lieues de Paris sur le chemin d'Orléans 1651

This is "Veue de Berny a deux lieues de Paris sur le chemin d'Orléans," an engraving by Israel Silvestre made sometime between 1640 and 1691. Notice how the landscape is rendered as a series of finely etched lines that carefully define the architectural elements and their placement within the landscape. The composition uses a central perspective, drawing the eye toward the main building. The artist employs line and form to create depth and volume. The architecture is built up from the ground according to geometric rules. Look at the precise detail in the windows, roof lines, and decorative elements. The artist captures the symmetry and order valued in classical architecture, but the landscape beyond this constructed space is looser and less defined, reminding us of an asymmetrical organic world. Silvestre's strategic use of perspective directs the gaze, inviting the viewer to consider relationships between nature and architecture. The engraving functions as a sign of the patron’s wealth, intellect, and taste, using classical elements to communicate complex ideas.