Het Stoomboots / spel 1831 - 1842

Editor: So, this is "Het Stoomboots / spel" by Aron Hijman Binger, created sometime between 1831 and 1842. It looks like ink and watercolor on paper, a board game of some kind. I’m struck by the naivety of the drawing style; it’s so charming. What do you see in it? Curator: I see a tapestry of emerging modernity interwoven with older traditions. The steamship itself, labeled "Amsterdam en Zaandam," becomes a potent symbol of progress, promising faster travel and connection. Notice how it is labeled with ‘Hercules’ which relates to ideas of power. Do you see any elements evoking a longing for older, simpler ways? Editor: I suppose the horse-drawn carriage, tucked away in the corner does feel a little antiquated in contrast with this ultra-modern steamship. Curator: Exactly. It creates a visual tension. Look closer, it’s more than just transportation being juxtaposed. The game is not merely about moving forward, it also directs us to specific locales -- places of leisure like the tavern and garden and social gathering spots. How might the destinations on the game board reinforce the experience of social activity in public spaces? Editor: The locations feel really curated to give players this sort of mini-travel experience. It is as if they’re being transported to places of gathering like taverns, and gardens… which almost serves like an aspiration of what society could look like? Curator: Precisely! This game serves as a visual encapsulation of contemporary society, suggesting ideals that players seek. These images speak volumes about that culture’s desires, fears, and aspirations. Editor: That’s fascinating. It's so much more than just a simple board game. Curator: Indeed. It’s a little cultural time capsule.