Plate 8: equestrian statue of Otho, seen from behind, his death scene in the background with him stabbing himself at right and the burning of his body at left, from 'Roman Emperors on Horseback' 1582 - 1594
drawing, print, metal, sculpture, engraving
portrait
drawing
metal
mannerism
figuration
form
roman-art
sculpture
horse
men
history-painting
engraving
sword
Dimensions: Sheet (Trimmed): 12 5/8 × 8 9/16 in. (32.1 × 21.7 cm)
Copyright: Public Domain
Editor: This engraving, "Plate 8: equestrian statue of Otho," created between 1582 and 1594 by Adriaen Collaert, depicts a statue with a background of violence. The contrast is striking. What do you see in this piece, especially given its complex composition? Curator: Indeed. Focusing purely on the formal aspects, observe how Collaert manipulates perspective. The statue is presented frontally, commanding our attention, while the background recedes, offering a narrative context that diminishes in visual prominence. Note also the lines of the engraving, creating textures that define form and delineate the scenes of violence from the stoic image of Otho. Editor: The lines are interesting. So you're saying the engraving technique itself guides our understanding? The hatching, for instance, builds up a sense of depth in the statue's drapery and then contrasts against the open background? Curator: Precisely. Collaert directs our eye, structuring our interpretation of the statue against the narrative backdrop. Moreover, consider the materiality; the rigid metal from which it is created contrasts against the human actions portrayed. In light of its materiality, would you agree this contributes to the stoic mood you perceived earlier? Editor: Absolutely, the solidity and detail of the statue definitely contrast with the more chaotic and sketchier depiction of the scene behind it, almost as though they are disconnected from each other despite appearing in the same plane. I never thought to separate the different elements this way before. Curator: By isolating and analyzing these formal components—perspective, texture, materiality—we move beyond the subject matter to decode the structural logic underpinning Collaert's representation. Editor: That's fascinating! I'll certainly be looking at engravings with a new eye from now on!
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.