-The Guest- plate by John Moyr Smith

-The Guest- plate 1878

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painting, ceramic, porcelain, enamel

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painting

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greek-and-roman-art

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ceramic

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porcelain

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enamel

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ceramic

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history-painting

Dimensions: 1 1/8 x 9 1/2 in. (2.86 x 24.13 cm) (each)

Copyright: Public Domain

Editor: This intriguing enameled porcelain plate, titled “The Guest”, was created in 1878 by John Moyr Smith. The image, depicting what appears to be an ancient Greek scene, is striking but it feels a bit theatrical and staged. What strikes you about it? Curator: I see the theatricality you mention. It's important to consider how the 19th century, particularly in Britain, re-imagined the classical world. Notice the deliberate use of Greek motifs, not just in the central figure, but in the decorative border. How do you think this plate functioned in its own time? Editor: Well, it’s beautiful but seemingly too fragile for everyday use, so perhaps it was more decorative, maybe displayed in a cabinet? Curator: Exactly. Consider the context: This was produced during a period of intense industrialization and social change. Objects like this plate offered a connection to a perceived ‘golden age,’ serving as a display of knowledge and refined taste, signaling one’s social standing through ownership and display. Note the inscription surrounding the figure. Editor: "The Guest." And then something in Greek...Oh, I see the connection – hospitality! So it wasn't just decoration, but a kind of aspirational statement about the homeowner's values? Curator: Precisely. It participates in a visual language that reinforced specific ideals tied to civic virtue and domestic harmony, reflecting anxieties about modernity and a longing for an idealized past. The Greek and Roman revivals served social and political needs within Victorian society. Editor: So the plate is less about ancient Greece itself and more about how Victorian society wanted to see itself? Curator: In many ways, yes. It tells us less about history painting and more about the politics of imagery and collecting in late 19th-century Britain. Editor: I never would have considered the cultural message encoded in something as seemingly simple as a decorative plate! It adds another layer to appreciate in museum settings. Curator: Indeed. Everyday objects often hold fascinating insights into the larger socio-political forces at play in their time.

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