Plate with a scene from Métamorphoses du Jour (plate 37) 1825 - 1845

This plate, made by Creil in the 19th century, is earthenware, a humble material transformed by transfer printing and hand-applied colors. Earthenware is porous and relatively soft. Thus, objects like this one were made for everyday use rather than display. The transfer printing process allowed for the mass production of ceramics like this. A design is engraved on a copper plate, then printed onto tissue paper, which is then applied to the ceramic surface. The paper is removed, leaving the design on the plate to be fired. Hand-coloring added detail to the scene from "Métamorphoses du Jour," and its ornate border. Though the plate looks whimsical, it engages directly with social satire. The animal-headed figures critique human behavior. The mechanization of production allowed for more people to have access to decorative objects, and, as we see here, to social commentary as well. Ultimately, this plate proves that even the most functional things can carry a sharp message.