The Angel Carrying off Habakkuk by His Hair, Surrounded by an Elaborate Rococo Frame c. 1750
drawing, tempera, ink, charcoal
drawing
toned paper
baroque
ink painting
tempera
charcoal drawing
charcoal art
ink
charcoal
history-painting
rococo
Dimensions: sheet: 50.9 x 70.6 cm (20 1/16 x 27 13/16 in.)
Copyright: National Gallery of Art: CC0 1.0
Editor: This drawing, “The Angel Carrying off Habakkuk by His Hair, Surrounded by an Elaborate Rococo Frame,” is by Johann Wolfgang Baumgartner, around 1750, using ink, charcoal, and tempera on toned paper. The overall effect is dynamic, full of movement, but also feels very staged, almost theatrical. What is your take on this scene? Curator: I see a powerful interplay of divine intervention and human agency, set within the framework of Baroque exuberance, tinged with emerging Rococo sensibilities. This piece, ostensibly illustrating a scene from the Old Testament, operates on several layers. Think about the era—the mid-18th century. How does this rendering challenge or uphold the social hierarchies of its time? Editor: The angel swooping down feels like a powerful authority figure, literally lifting Habakkuk out of his life. Is the "elaborate frame" more than decorative? Curator: Exactly! Consider the frame not just as ornamentation, but as a constructed reality. The rococo frame, with its flourishes and cherubs, encloses and arguably controls the narrative. Who gets to tell this story? Who is elevated, literally and figuratively, within this constructed space, and what socio-political functions did the Baroque frame serve at this historical conjuncture? Does the theatricality you noticed speak to a performance of power? Editor: I see what you mean! It makes me wonder about the artist's position. Was Baumgartner critiquing or celebrating the religious and aristocratic powers of his day? Curator: It's likely both. Artists of this period often walked a tightrope, offering visual pleasure while subtly embedding social commentary. Exploring Baumgartner’s other works might shed light on his specific inclinations, allowing us to further contextualize this remarkable scene. Editor: Thanks for sharing that. I'll definitely look into Baumgartner’s other works, because I feel that will give me much needed context. Curator: Excellent! I have learnt so much from you today, thank you!
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