Brooch with Fantasy Creatures Blowing Horns at Top and Winged Griffins at Bottom by Daniel Mignot

Brooch with Fantasy Creatures Blowing Horns at Top and Winged Griffins at Bottom 1596

0:00
0:00

drawing, print, ink, engraving

# 

drawing

# 

pen drawing

# 

print

# 

old engraving style

# 

fantasy-art

# 

mannerism

# 

figuration

# 

11_renaissance

# 

ink

# 

engraving

Copyright: National Gallery of Art: CC0 1.0

Curator: This intriguing print is titled "Brooch with Fantasy Creatures Blowing Horns at Top and Winged Griffins at Bottom," made in 1596 by Daniel Mignot. It's an engraving rendered in ink. What strikes you first about it? Editor: An initial thought – what a delightfully strange and somewhat unsettling symmetry! The fantastic creatures create an immediate sense of unease but also…attraction? It's this duality that intrigues me. Curator: The balance Mignot strikes is crucial to its Mannerist aesthetic. Notice the carefully considered distribution of light and shadow, which amplifies the bizarre yet elegant forms. The contrast enhances its dynamism. Editor: And the winged griffins at the bottom – they carry not torches of enlightenment but something altogether more enigmatic, little decorative vessels of an unknown substance. It conjures imagery associated with alchemy, or possibly diabolism. What narratives were these symbols supposed to spark in the 16th century? Curator: Indeed, these griffins seem to simultaneously uphold and subvert classical mythology. The stylized grotesques contrast strongly with any straightforward allegorical narrative. There is more of an emphasis on abstract ornamental design here. Editor: But Mignot, through these strange motifs, unlocks deeper psychological associations. The sound of horns, for instance – a call to arms, or even the heralding of impending doom. How did the elite of the Renaissance see themselves, besieged, triumphant, or poised between both? Curator: What is striking is how he integrates abstract patterning, the shapes becoming their own subject. In that way he elevates ornamentation, but is careful to also add deeper allusions to cultural traditions that speak to broader themes. Editor: In a piece intended as adornment, he also seems to deliver a cryptic commentary. A strange dialogue plays between overt display and hidden message, doesn’t it? Curator: Yes, perhaps these bizarre chimeras do double duty; a sort of talisman to signal status, while the symbols themselves guard some undisclosed knowledge. Editor: Looking at it this way reveals that in this strange symmetry and unsettling symbolism we might find both aesthetic fascination, but also social reflection on the part of Mignot himself.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.