Quarry by Jerome Kaplan

Quarry 1958

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print, etching

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print

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pen sketch

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etching

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pencil sketch

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landscape

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abstraction

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modernism

Copyright: National Gallery of Art: CC0 1.0

Curator: Good morning, I'm pleased to introduce you to Jerome Kaplan's "Quarry," an etching created in 1958. Editor: My first impression is of a rugged, almost brutal landscape, rendered with a fascinating textural complexity. The monochromatic palette really emphasizes the geometric structure juxtaposed with the more organic, chaotic details. Curator: Absolutely. Kaplan masterfully uses the etching technique to explore contrasts. Look at how the stark, horizontal lines defining the quarry's levels are offset by the almost scribbled textures in the foreground. It evokes a sense of both order and decay, a recurring theme in post-war modernist art, I'd say. This image serves as evidence to a social turn and industrial shifts occurring across society. Editor: I agree, and the composition directs the viewer’s gaze upward, towards that skeletal structure at the top. Its geometric purity stands in sharp contrast to the rough-hewn materials beneath. Do you interpret that as symbolic of industrial ambition versus natural degradation? Curator: It certainly lends itself to that interpretation. More precisely, I'm concerned about how Kaplan represents the interplay of vertical and horizontal axes, and positive and negative space, that construct and deconstruct pictorial meaning. And note the deliberate imperfection of the lines, the subtle variations in tone achieved through the etching process. Editor: From my point of view, though, the image speaks to the ambivalent relationship between humans and the environment—a sentiment that resonates deeply today. Was Kaplan consciously critiquing industrial development, or was he more interested in the purely aesthetic possibilities of representing this scene? Is he part of the story about deindustrialization, too? Curator: It's difficult to ascertain the artist's specific intentions, however the piece offers visual discourse and speaks volumes regarding societal shifts and movements through various forms of representation. Editor: Ultimately, "Quarry" serves as a powerful testament to the visual dynamism in modern art, doesn't it? It's both a technical feat and a poignant visual reflection on the altering face of our landscapes, too. Curator: A fitting assessment. Through such subtle formal interventions, a simple print embodies the complex discourse regarding human history and cultural progression.

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